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Bach Bibliography Search Result |
Series : ^diss.$Your search has generated the following results ...
Year : 2007
Max number of results shown : 300
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Output sorted : serially \(table\)
| Type | List | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|
 | 1. | Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. | diss. | |||||
| | 2. | Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. | diss. | |||||
| | 3. | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. | diss. | 139p | ||||
| | 4. | The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28. | diss. | 144p | ||||
| | 5. | The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. | diss. | 159p | ||||
| | 6. | Motivic structure in the chorale-based organ works of Sir Charles Hubert Parry: An analytical survey. | diss. | 180p | ||||
| | 7. | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. | diss. | 194p | ||||
| | 8. | The rhythm of form: Compositional processes in the music of Sofia Gubaidulina. | diss. | 195p | ||||
| | 9. | Untersuchungen zur musikalischen Sprache J.S. Bachs Motetten, dargestellt an ausgewählten Beispielen. | diss. | 300p | ||||
| | 10. | Klavirnaâ skola K.F.È. Baha v istoriceskoj perspektive. | diss. | 307p | ||||
| | 11. | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. | diss. | 315p | ||||
| | 12. | Die Klaviersonaten von Georg Anton Benda: Geschichtlicher Stellenwert und formale Strukturen. | diss. | 320p | ||||
| | 13. | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. | diss. | 326p | ||||
| | 14. | The role of invertible counterpoint within Schenkerian theory. | diss. | 333p | ||||
| | 15. | Flüchtigkeit oder beabsichtigte Variation. Die Sechs Suiten für Violoncello solo von Johann Sebastian Bach (BWV 1007-1012) in der Abschrift Anna Magdalena Bachs und deren Übertragung für Viola. | diss. | 344p | ||||
| | 16. | The Schola Cantorum, early music and French political culture, from 1894 to 1914. | diss. | 365p | ||||
| | 17. | Did Johann Sebastian Bach Write the Six Cello Suites? | diss. | 430p | ||||
| | 18. | The a cappella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music. | diss. | 46p | ||||
| | 19. | The sarabandes from J.S. Bach's six suites for solo cello: An analysis and interpretive guide for the modern guitarist. | diss. | 67p | ||||
| | 20. | Pausing for Reflection: Re-evaluating Bach's Use of the Fermata. | diss. | 87p | ||||
| | 21. | The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. | diss. | ii, 147p | ||||
| | 22. | Bachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving. | diss. | v, 95p | ||||
| | 23. | 'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. | diss. | x, 527p | ||||
| | 24. | Mozart and the Practice of Sacred Music, 1781-91. | diss. | xi, 455p | ||||
| | 25. | The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. | diss. | xi, 63p | ||||
| | 26. | 'Modern' Organ Style in Karl Straube's Reger Editions. | diss. | xiv, 222p |